Though you'd never know to listen to it, Bigger than Luck, The Fugitives new EP from Light Organ Records, is inspired by astronauts. At least, that's what got songwriters Adrian Glynn and Brendan McLeod going, after they took a weekend off recording with Toronto producer John Critchley (Dan Mangan, Elliot BROOD, Amelia Curran) to go see an exhibit of rare photos from the first two moon landings at New York's Natural History Museum. Awestruck by the photos, the pair were perhaps more amazed that no one else in the museum seemed to care about them - not even the curators, who'd hung them in a far corner, on bare walls, with limited signage. "The two of us started talking about the sixties," says McLeod. "How they'd just invented the colour tv and cassettes. Meanwhile, here are these photos of our planet shot from outer space. It's a total miracle. We felt like Jim Carrey in Dumb & Dumber, coming across that framed newspaper of the moon landing on a bar wall, running out to tell everyone: "We landed on the moon!"" A precursor to a full-length due this fall, Bigger than Luck is by no means a concept record, but one theme running through the tracks is the habit of treating miracles as though they were banal. Whether it be a night (Bigger than Luck), a relationship (Old Mistakes), a song (Slowly Undone), or a lifetime (The City), the songs hone in on the importance of each of these lived experiences - and the impossibility of actually keeping this realization at the forefront of our minds. Mastered by Greg Calbi (Of Monsters and Men, She & Him), and featuring guest vocals by Brandy Zdan and a host of Toronto's finest musicians - from bluegrass guru Chris Quinn to celtic fiddler Sahra Featherstone - Bigger than Luck marries the driving banjo and top notch harmonies of past Fugitive releases with celebratory gang vocals and sombre piano tones. "It tackles a lot of contradictory emotions," says Glynn. "Excitement, nostalgia, forgiveness, despair. But that's cool. It's not like the world needs another break-up album."